《道林格雷的画像》第43章

f　the　absolute　dependence　of　the　spirit　on　certain　physical　conditions；　morbid　or　healthy；　normal　or　diseased。　yet；　as　has　been　said　of　him　before；　no　theory　of　life　seemed　to　him　to　be　of　any　importance　pared　with　life　itself。　he　felt　keenly　conscious　of　how　barren　all　intellectual　speculation　is　when　separated　from　action　and　experiment。　he　knew　that　the　senses；　no　less　than　the　soul；　have　their　spiritual　mysteries　to　reveal。
and　so　he　would　now　study　perfumes　and　the　secrets　of　their　manufacture；　distilling　heavily　scented　oils　and　burning　odorous　gums　from　the　east。　he　saw　that　there　was　no　mood　of　the　mind　that　had　not　its　counterpart　in　the　sensuous　life；　and　set　himself　to　discover　their　true　relations；　wondering　what　there　was　in　frankincense　that　made　one　mystical；　and　in　ambergris　that　stirred　ones　passions；　and　in　violets　that　woke　the　memory　of　dead　romances；　and　in　musk　that　troubled　the　brain；　and　in　champak　that　stained　the　imagination；　and　seeking　often　to　elaborate　a　real　psychology　of　perfumes；　and　to　estimate　the　several　influences　of　sweet…smelling　roots　and　scented；　pollen…laden　flowers；　of　aromatic　balms　and　of　dark　and　fragrant　woods；　of　spikenard；　that　sickens；　of　hovenia；　that　makes　men　mad；　and　of　aloes；　that　are　said　to　be　able　to　expel　melancholy　from　the　soul。
at　another　time　he　devoted　himself　entirely　to　music；　and　in　a　long　latticed　room；　with　a　vermilion…and…gold　ceiling　and　walls　of　olive…green　lacquer；　he　used　to　give　curious　concerts　in　which　mad　gipsies　tore　wild　music　from　little　zithers；　or　grave；　yellow…shawled　tunisians　plucked　at　the　strained　strings　of　monstrous　lutes；　while　grinning　negroes　beat　monotonously　upon　copper　drums　and；　crouching　upon　scarlet　mats；　slim　turbaned　indians　blew　through　long　pipes　of　reed　or　brass　and　charmed……　or　feigned　to　charm……great　hooded　snakes　and　horrible　horned　adders。　the　harsh　intervals　and　shrill　discords　of　barbaric　music　stirred　him　at　times　when　schuberts　grace；　and　chopins　beautiful　sorrows；　and　the　mighty　harmonies　of　beethoven　himself；　fell　unheeded　on　his　ear。　he　collected　together　from　all　parts　of　the　world　the　strangest　instruments　that　could　be　found；　either　in　the　tombs　of　dead　nations　or　among　the　few　savage　tribes　that　have　survived　contact　with　western　civilizations；　and　loved　to　touch　and　try　them。　he　had　the　mysterious　juruparis　of　the　rio　negro　indians；　that　women　are　not　allowed　to　look　at　and　that　even　youths　may　not　see　till　they　have　been　subjected　to　fasting　and　scourging；　and　the　earthen　jars　of　the　peruvians　that　have　the　shrill　cries　of　birds；　and　flutes　of　human　bones　such　as　alfonso　de　ovalle　heard　in　chile；　and　the　sonorous　green　jaspers　that　are　found　near　cuzco　and　give　forth　a　note　of　singular　sweetness。　he　had　painted　gourds　filled　with　pebbles　that　rattled　when　they　were　shaken；　the　long　clarin　of　the　mexicans；　into　which　the　performer　does　not　blow；　but　through　which　he　inhales　the　air；　the　harsh　ture　of　the　amazon　tribes；　that　is　sounded　by　the　sentinels　who　sit　all　day　long　in　high　trees；　and　can　be　heard；　it　is　said；　at　a　distance　of　three　leagues；　the　teponaztli；　that　has　two　vibrating　tongues　of　wood　and　is　beaten　with　sticks　that　are　smeared　with　an　elastic　gum　obtained　from　the　milky　juice　of　plants；　the　yotl…bells　of　the　aztecs；　that　are　hung　in　clusters　like　grapes；　and　a　huge　cylindrical　drum；　covered　with　the　skins　of　great　serpents；　like　the　one　that　bernal　diaz　saw　when　he　went　with　cortes　into　the　mexican　temple；　and　of　whose　doleful　sound　he　has　left　us　so　vivid　a　description。　the　fantastic　character　of　these　instruments　fascinated　him；　and　he　felt　a　curious　delight　in　the　thought　that　art；　like　nature；　has　her　monsters；　things　of　bestial　shape　and　with　hideous　voices。　yet；　after　some　time；　he　wearied　of　them；　and　would　sit　in　his　box　at　the　opera；　either　alone　or　with　lord　henry；　listening　in　rapt　pleasure　to　〃tannh？user〃　and　seeing　in　the　prelude　to　that　great　work　of　art　a　presentation　of　the　tragedy　of　his　own　soul。
on　one　occasion　he　took　up　the　study　of　jewels；　and　appeared　at　a　costume　ball　as　anne　de　joyeuse；　admiral　of　france；　in　a　dress　covered　with　five　hundred　and　sixty　pearls。　this　taste　enthralled　him　for　years；　and；　indeed；　may　be　said　never　to　have　left　him。　he　would　often　spend　a　whole　day　settling　and　resettling　in　their　cases　the　various　stones　that　be　had　collected；　such　as　the　olive…green　chrysoberyl　that　turns　red　by　lamplight；　the　cymophane　with　its　wirelike　line　of　silver；　the　pistachio…coloured　peridot；　rose…pink　and　wine…yellow　topazes；　carbuncles　of　fiery　scarlet　with　tremulous；　four…rayed　stars；　flame…red　cinnamon…stones；　orange　and　violet　spinels；　and　amethysts　with　their　alternate　layers　of　ruby　and　sapphire。　he　loved　the　red　gold　of　the　sunstone；　and　the　moonstones　pearly　whiteness；　and　the　broken　rainbow　of　the　milky　opal。　he　procured　from　amsterdam　three　emeralds　of　extraordinary　size　and　richness　of　colour；　and　had　a　turquoise　de　la　vieille　roche　that　was　the　envy　of　all　the　connoisseurs。
he　discovered　wonderful　stories；　also；　about　jewels。　in　alphonsos　clericalis　disciplina　a　serpent　was　mentioned　with　eyes　of　real　jacinth；　and　in　the　romantic　history　of　alexander；　the　conqueror　of　emathia　was　said　to　have　found　in　the　vale　of　jordan　snakes　〃with　collars　of　real　emeralds　growing　on　their　backs。〃　there　was　a　gem　in　the　brain　of　the　dragon；　philostratus　told　us；　and　〃by　the　exhibition　of　golden　letters　and　a　scarlet　robe〃　the　monster　could　be　thrown　into　a　magical　sleep　and　slain。　according　to　the　great　alchemist；　pierre　de　boniface；　the　diamond　rendered　a　man　invisible；　and　the　agate　of　india　made　him　eloquent。　the　cornelian　appeased　anger；　and　the　hyacinth　provoked　sleep；　and　the　amethyst　drove　away　the　fumes　of　wine。　the　garnet　cast　out　demons；　and　the　hydropicus　deprived　the　moon　of　her　colour。　the　selenite　waxed　and　waned　with　the　moon；　and　the　meloceus；　that　discovers　thieves；　could　be　affected　only　by　the　blood　of　kids。　leonardus　camillus　had　seen　a　white　stone　taken　from　the　brain　of　a　newly　killed　toad；　that　was　a　certain　antidote　against　poison。　the　bezoar；　that　was　found　in　the　heart　of　the　arabian　deer；　was　a　charm　that　could　cure　the　plague。